Art for Art's SakeI recently purchased a digital watercolor set for Procreate from Digital Art Junky and have been creating different pieces of art with the brushes - it's been a very exciting week for me. I told a friend that I haven't been this excited about a digital download since I was downloading skins for Catz and Dogz in the 1990s. The watercolor set came with thirty different brushes, five different paper textures, and some color pallets - very exciting. I love the different paper textures. The lack of paper texture in Procreate has been a quite complaint of mine since I downloaded the app. One of my goals is to try to imply as much texture as possible in my digital artwork. I've found myself making more and more digital art after the birth of my son. Moving into my studio with an infant is a lot of work. I have a hard time getting into creative flow when I have to be available for him and he's at a stage where he's very hands on. Most of my creating is done with he's napping and creating on my iPad is honestly much easier for me. I don't have to worry about material drying out, getting new water, finding a place to wipe my brush, having both hands free, etc. I can create everything in one space and I can come back to it as needed. I've painted a few different subjects with the new brush set. I worked on a bear, a house cat, and decided last night that I wanted to start working on a crow. This piece was different compared to how I normally work on digital art. Generally, I'll complete the background first (I also do this with physical art). I erase all of the color from my subject and do a base coat of a neutral color instead. Then, I add layer upon layer of color to the piece. With my crow I took a different approach. I didn't remove color from my subject. I kept the black. Instead of adding shadows, I added light. I felt as if I was working backward from the negative or empty space instead of working toward it. This piece was a lesson in light for me - and a challenge (I even found myself waking up in the middle of the night thinking about the need to add green for more definition - and I did. There is a faint, dark green outline all over the bird.).
I'm pleased with the use of light in this piece overall. It's not the best digital work I've ever done, but it was a lot of fun and it is one of the more detailed and realistic looking birds that I've done (a lot of my work has a more illustrative style). I can't wait to see what comes from continuing to use these brushes!
0 Comments
Leave a Reply. |
AuthorHeather Wylie has been making art for over eighteen years. Archives
February 2024
Categories |